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Solo Exhibitions (* indicates exhibition catalogue) |
2023 |
when Stones were Blooming, Carling Dalenson, Stockholm, Sweden |
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A World of Images, Baldwin Gallery, Aspen, CO |
2022 |
Fragments of Time Past, Gagosian, Athens, Greece |
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Between Then and Now, Alfonso Artiaco, Naples, Italy
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Xippas Art Contemporain, Geneva, Switzerland
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2021 |
Museum in the Camera, Los Angeles County Museum of Art, Los Angeles, CA * |
2018 |
Baldwin Gallery, Aspen, CO |
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Turning Time, Gagosian, London, UK |
2017 |
Painting on Paper: Vera Lutter’s Old Master Photographs, LACMA Booth at TEFAF, Park Avenue Armory, New York, NY
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2016 |
Paestum, Alfonso Artiaco, Naples, Italy |
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Xippas Art Contemporain, Geneva, Switzerland |
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Inverted Worlds, New Orleans Museum of Art, New Orleans, LA |
2015 |
Inverted Worlds, The Museum of Fine Art Houston, TX |
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Gagosian, New York, NY |
2014 |
Venice, Weinstein Gallery, Minneapolis, MN |
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Galerie Max Hetzler, Berlin, Germany |
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Clock Tower, Baldwin Gallery, Aspen, CO
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2013 |
Folding Four in One, Galerie Xippas, Paris, France |
2012 |
Carré d'Art – Musée d'art contemporain, Nîmes, France * |
2011 |
Alfonso Artiaco, Naples, Italy |
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Studies for Ground Zero, Museum of Contemporary Art Chicago, Chicago, IL
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Galerie Max Hetzler, Eifel, Germany |
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Egypt, Gagosian, London, UK * |
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a ghost still is like a place, Baldwin Gallery, Aspen, CO * |
2009 |
Galerie Xippas, Paris, France |
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Gagosian, Beverly Hills, CA |
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Samar Hussein, Carolina Nitsch Project Room, New York, NY |
2008 |
Galerie Max Hetzler, Berlin, Germany |
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Baldwin Gallery, Aspen, CO |
2007 |
Galleria Nicolo Cardi, Milan, Italy |
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Gagosian, New York, NY * |
2005 |
Galerie Xippas, Athens, Greece |
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Focus: Vera Lutter, Modern Art Museum of Fort Worth, Fort Worth, TX |
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Nabisco Factory, Beacon, Dia:Beacon, Beacon, NY |
2004 |
Battersea, Gagosian, London, UK * |
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Galerie Max Hetzler, Berlin-Mitte, Germany |
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Inside In, Kunsthaus Graz, Graz, Austria * |
2003 |
Gagosian, New York, NY |
2002 |
Chicago Obscura, Museum of Contemporary Photography, Chicago, IL |
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Galerie Max Hetzler, Berlin, Germany |
2001 |
Kunsthalle Basel, Basel, Switzerland (with Hanspeter Hofmann) * |
2000 |
Fraenkel Gallery, San Francisco, CA |
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Barbara Flynn Gallery, Sydney, Australia |
1999 |
Time Traced, Dia Center for the Arts, New York, NY (with Rodney Graham) |
1999 |
Roth Horowitz, New York, NY * |
1998 |
Wooster Gardens, New York, NY |
1996 |
On New York, Wooster Gardens, New York, NY |
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Group Exhibitions |
2024 |
In the Now: Gender and Nation in Europe, Selections from the Sir Mark Fehrs Haukohl Photography Collection, Brooklyn Museum, Brooklyn, NY * |
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Show!, Neue Galerie Graz, Graz, Austria
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2023 |
Time, Kunsthaus Zürich, Zurich, Switzerland |
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Photography Now, V&A South Kensington, London, UK |
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Industrial Rhapsody, BlackBox, Alexander Tutsek-Stiftung, Munich, Germany |
2022 |
A History of Photography: Selections from the Museum's Collection, Museum of Fine Arts Houston, Houston, TX |
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Part 2, Scully Tomasko Foundation, New York, NY |
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Part 4, Ricco/Maresca, New York, NY |
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Part 5, TOTAH, New York, NY |
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Part 7, Industry City, Brooklyn, NY |
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Visiones Expandidas. Fotografía y Experimentación, CaixaForum, Madrid, Spain *
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2021 |
Photographing the Fantastic, NSU Art Museum, Fort Lauderdale, FL |
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Photography! - Meisterwerke aus dem SCHAUWERK Sindelfingen, Saarlandmuseum – Moderne Galerie, Saarbrücken, Germany |
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Womanology. José Ramón Prieto Collection, Museo de Bellas Artes de Bilbao, Bilbao, Spain *
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TRANSFORMATION, Blowing Rock Art & History Museum, Blowing Rock, NC
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Civilization - Quelle époque !, Musée des Civilisations de l’Europe et de la Méditerranée, Marseille, France
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30 ans déjà! #1, Galerie Xippas, Paris, France
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Paysages. Regards croisés, Salle d'expo du Cyel à La Roche-sur-Yon, La Roche-sur-Yon, France
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2020 |
Civilisation, Photography, Now, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand |
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30 Years of Women, Jackson Fine Art, Atlanta, GA
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2019 |
Looking Back: Ten Years of Pier 24 Photography, Pier 24, San Francisco, CA *
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Spaces and Places: Works from the Collection, Modern Art Museum of Fort Worth, Fort Worth, TX |
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dialogues #1 Baronian Xippas Brussels, Galerie Xippas, Paris, France
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Günther Förg, Ed Ruscha, Olafur Eliasson, Vera Lutter, Jeff Wall and Darren Almond, Carolina Nitsch, New York, NY |
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NOMEN: American Women Artists from 1945 to Today, Phillips, New York, NY |
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Civilization: The Collective Life, Ullens Center for Contemporary Art, Beijing, China |
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Paysages. Regards croisés, Salle d'expo du Cyel à La Roche-sur-Yon, La Roche-sur-Yon, France
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2018 |
32Q: 1120 Contemporary Art, Harvard Art Museums, Cambridge, MA
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Civilization: The Collective Life, National Museum of Modern and Contemporary Art, Seoul, Korea * |
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By The Sea, The Marquee Projects, Bellport, NY |
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This Must be the Place, JPMorgan Chase Art Collection at Paris Photo 2018, Paris, France |
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Vision of the Other Worlds, Sargent’s Daughters, New York, NY |
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Sun Pictures Then and Now: Talbot and his Legacy Today, Photo London, London & Hans P. Kraus Jr., London, UK |
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Poussières d’étoiles, group show, La Laiterie, Massignac, France * |
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About Photography, Gagosian, San Francisco, CA |
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Photographs Take Time: Pictures from the Chrysler Collection, Chrysler Museum of Art, Norfolk, VA
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Facing the Camera, Hans Kraus Jr. Fine Photographs, New York, NY |
2017 |
Masterpiece Art Society 2017, Chrysler Museum of Art, Norfolk, VA |
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re:collection, Museum of Contemporary Photography, Chicago, IL
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The Mechanics of Expression: Vera Lutter, Sameer Makarius & Otto Steinert, Howard Greenberg Gallery, New York, NY |
2016 |
Belief + Doubt: Selections from The Francie Bishop Good and David Horvitz Collection, NSU Art Museum, Fort Lauderdale, FL * |
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Lunar Attraction, Peabody Essex Museum, Salem, MA |
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Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker, National Gallery of Art, Washington, DC * |
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30°, Alfonso Artiaco, Naples, Italy |
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A New and Mysterious Art: Ancient Photographic Methods in Contemporary Art, Howard Greenberg Gallery, New York, NY |
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Deconstruction Photographique, Topographie de L’Art, Paris, France * |
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The Memory of the Future: Photographic Dialogues Between Past, Present, and Future, Musée de l’Elysée-Les Éditions Noir sur Blanc, Lausanne, Switzerland * |
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This is a Photograph, Penland Gallery, Penland, NC |
2015 |
Altered Appearances, Fisher Landau Center for Art, Long Island City, NY |
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Venice: Five Centuries of the World’s Most Alluring City, Nagoya/Boston Museum of Fine Arts, Nagoya, Japan
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Industria, oggi: Contemporary Photographs from the MAST Collection, Fondazione MAST, Bologna, Italy |
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Framing Desire: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX |
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The Memory of Time: Contemporary Photographs from the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art, Washington, DC |
2014 |
SPOT ON, Museum Kunstpalast, Düsseldorf, Germany |
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Convergences: Selected Photographs from the Permanent Collection, Getty Center, Los Angeles, CA |
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Now You See It: Photography and Concealment, The Metropolitan Museum of Fine Art, New York, NY |
2013 |
Decisive Moments: Photographs from the Collection of Cherye R. and James F. Pierce, Honolulu Museum of Art, Honolulu, HI |
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REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany * |
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Flowers & Mushrooms, Museum der Moderne, Mönchsberg, Salzburg, Austria * |
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Legacy: Photographs from the Emily Fisher Landau Collection, The Aldrich Contemporary Art Museum, Ridgefield, CT |
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The Distaff Side, The Granary, Sharon, CT |
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0 to 60: The Experience of Time Through Contemporary Art, North Carolina Museum of Art, Raleigh, NC *
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Cosa Mentale, Paysage(s): Paysage-fiction et le Nouveau Pittoresque, Musée du vieux château de Laval, Laval, France
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The Time is Now, John Berggruen Gallery, San Francisco, CA
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Light Sensitive: Photographic Works from North Carolina Collections, Nasher Museum of Art at Duke University, Durham, NC |
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Big Pictures, Amon Carter Museum of American Art, Fort Worth, TX |
2012 |
Fruits of Passion: Société des Amis du Mnam - Dix ans du Projet pour l'Art Contemporain, Centre Pompidou, Paris, France * |
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Recent Acquisitions, Part I: Contemporary Photographs, Harvard Art Museums, Cambridge, MA |
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Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Chicago, IL * |
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Conversations: Photography from the Bank of America Collection, Irish Museum of Art, Dublin, Ireland
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Cosa Mentale, Paysage(s): Paysage-fiction et le Nouveau Pittoresque, Musée de La Roche-sur-Yon, La Roche-sur-Yon, France *
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Myths & Realities, School of Visual Arts, New York, NY * |
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People and the City, Centre of Contemporary Art (CoCA), Toruń, Poland
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2011 |
Moderne: Selbstmord der Kunst?, Neue Galerie Graz, Joanneumsviertel, Graz, Austri |
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Prix Pictet Presentation, Les Rencontres d’Arles, France |
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Art Unlimited, Basel, Switzerland * |
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Legacy: Photographs from the Emily Fisher Landau Collection, Whitney Museum of American Art, New York, NY * |
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Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria *
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L’objet photographique: une invention permanente, Maison européenne de la photographie, Paris, France |
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Public Works, Museum of Contemporary Photography, Chicago, IL
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Prix Pictet Exhibition, Passage de Retz, Paris, France * |
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Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston, MA * |
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Eye Wonder: Photography from the Bank of America Collection, National Museum of Women in the Arts, Washington, DC |
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PROCESS, Edwynn Houk Gallery, New York, NY |
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Sténopé: un procédé photographique, Artothèque de Vitré, Vitré, France
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New Prints 2011/Winter, International Print Center, New York, NY |
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Accrochage, Carolina Nitsch Project Room, New York, NY |
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Recent Acquisitions: Prints and Photographs, the Stokes Gallery at The New York Public Library, New York, NY
|
2010 |
Still / Moving, The Israel Museum, Jerusalem, Israel *
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Prix Pictet, Growth Shortlist Preview, Galerie Les Filles du Calvaire, Paris, France |
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Imaginário da Paisagem – Obras da BESart / Colecção Banco Espírito Santo, Centro de Artes Visuais, Coimbra, Portugal |
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Vaxination, Galerie Xippas, Athens, Greece |
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Mixed-Use Manhattan: Photography and Related Practices 1970s to the Present, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain *
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Entre glace et neige, Centro Saint Benin, Région Autonome Vallée d’Aoste, Courmayeur, Italy * |
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Crash, Gagosian, London, UK * |
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re.volver, Xippas Arte contemporaneo, Montevideo, Uruguay
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2009 |
Extended Family: Contemporary Connections, Brooklyn Museum, Brooklyn, NY |
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elles@pompidou, Centre Pompidou, Paris, France * |
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Contradictions in Black and White, Hasted Hunt Gallery, New York, NY |
2008 |
Venice: from Canaletto and Turner to Monet, Fondation Beyeler, Basel, Switzerland *
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to: Night, Contemporary Representations of the Night, The Hunter College Galleries, Hunter College, New York, NY * |
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Target Collection of American Photography: A Century in Pictures, Art Museum of South Texas, Corpus Christi, TX
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Photography and Architecture, Mitterand + Cramer, Geneva, Switzerland |
2007 |
Welt-Bilder 2 / World Images 2, Helmhaus Zürich, Zürich, Switzerland * |
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du machinique et du vivant: sur une proposition de Régis Durand, A La Reserve, Galerie Xippas, Pacy-sur-eure, France *
|
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Rückblende: Die Fotosammlung der Neuen Galerie Graz, Neue Galerie Graz, Joanneumsviertel, Graz, Austria * |
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Taken with Time: a camera obscura project, The Atrium Gallery, Marion Center for Photographic Arts, Santa Fe, NM |
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Façade, Architecture, Space, Cook Fine Art, New York, NY |
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The Big Picture, The North Carolina Museum of Art, Raleigh, NC |
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Target Collection of American Photography: A Century in Pictures, Austin Museum of Art, Austin, TX
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2006 |
Alchemy: Twelve Contemporary Artists Exploring the Essence of Photography, Purdy Hicks, London, UK * |
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Modern Photographs: The Machine, the Body and the City, Gifts from the Charles Cowles Collection, Miami Art Museum, Miami, FL *
|
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Target Collection of American Photography: A Century in Pictures, Museum of Fine Arts, Houston, TX |
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In Sight: Recent Additions to the Permanent Collection, Museum of Contemporary Photography, Chicago, IL |
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Taken with Time: a camera obscura project, The Print Center, Philadelphia, PA * |
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Out of the Camera: Analoge Fotografie Im Digitalen Zeitalter, Bielefelder Kunstverein, Bielefeld, Germany |
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Kunst und Photographie—Photographie und Kunst, Galerie Bernd Klüser, Munich, Germany |
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À la (re)découverte des collections photographiques de Musée de La Roche-sur-Yon, Musée de La Roche-sur-Yon, La Roche-sur-Yon, France |
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Carbonic Anhydride, Galerie Max Hetzler, Berlin, Germany * |
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Black & White, Hellenic American Union, Athens, Greece * |
2005 |
Strange Days, Samuel P. Harn Museum of Art, Gainesville, FL |
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El Diablo non es tan malo como se pinta, Museo Nacional de Bellas Artes, Buenos Aires, Argentina |
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Roger Ballen, Alec Soth, Vera Lutter, Gagosian, New York, NY |
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Contemporary Obscurists, Alan Klotz Gallery, New York, NY |
2004 |
26a Bienal de São Paulo: Image Smugglers in a Free Territory, Pavilhão Ciccillo Matarazzo, São Paulo, Brazil * |
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Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, NY |
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The Amazing & The Immutable, Contemporary Art Museum, University of South Florida, Tampa, FL * |
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Present Tense 7, The Israel Museum, Jerusalem
|
2003 |
Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC * |
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Wings of Art – Motiv Flugzeug, Ludwig Forum für Internationale Kunst, Aachen, Germany
|
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Strange Days, Museum of Contemporary Art, Chicago, IL |
|
Landscapes of Man, Slusser Gallery, University of Michigan School of Art and Design, Ann Arbor, MI |
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Contemporary Photos from the Manfred Heiting Collection, Museum of Fine Arts Houston, Houston, TX
|
|
The Eye and the Camera: A History of Photography, Sammlung Albertina, Vienna, Austria |
|
Wings of Art – Motiv Flugzeug, Kunsthalle Darmstadt, Darmstadt, Germany *
|
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Same Time This Year, Gagosian, New York, NY |
2002 |
Art on Paper 2002, Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC |
|
Visions from America: Photographs from the Whitney Museum of American Art, 1940–2001, Whitney Museum of American Art, New York, NY * |
|
Life of the City, The Museum of Modern Art, New York, NY
|
|
Exchange & Transform, Kunstverein München, Munich, Germany |
|
2002 Whitney Biennial, Whitney Museum of American Art, New York, NY * |
|
Populated, International Artists Studio Program in Sweden, Stockholm, Sweden |
2001 |
Enduring Love, Gasser and Grunert Gallery, New York, NY |
|
What’s New: Recent Acquisitions in Photography, Whitney Museum of American Art, New York, NY |
2000 |
Collectors Choice, Exit Art, New York, NY |
|
New York Now 2000: Contemporary Work in Photography, Museum of the City of New York, New York, NY |
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Photography about Photography, Andrew Kreps Gallery, New York, NY |
1999 |
The Big Picture: Large Format Photography, Middlebury College Museum of Art, Middlebury, VT |
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Low Tech, The Light Factory, Charlotte, NC |
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Views from the Edge of the World, Marlborough Chelsea, New York, NY |
1998 |
New York: A Divided City, International Center for Advanced Studies, New York University, New York, NY |
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About Painting, Part III, Robert Miller Gallery, New York, NY |
1997 |
Light, Bennington College, Bennington, VT |
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CityScapes: A Survey of Urban Landscapes, Marlborough Gallery, New York, NY * |
1995 |
NYC, Visual Arts Gallery, New York, NY |
|
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Special Projects |
2017–19 |
Artist in Residence, Los Angeles County Museum of Art, Los Angeles, CA |
2015 |
Broadway Billboard: Degas Horses, public installation, Socrates Sculpture Park, Long Island, NY
|
2009 |
Nowhere Near, 601Artspace, New York, NY. Curated by the Vera Lutter |
2008 |
Ariadne Unhinged, Gotham Chamber Opera, New York, NY. Set design by the artist. Choreography by Karole Armitage |
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Awards |
2002 |
Pollock-Krasner Foundation Grant |
2001 |
John Simon Guggenheim Memorial Foundation Fellowship |
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Artist-in-Residence, International Artists Studio Program in Sweden (IASPS) |
1999 |
Kulturstiftung der ZF Friedrichshafen Grant |
1997 |
International Center for Advanced Studies Grant, Project on Cities and Urban Knowledge, New York University |
1993 |
Deutscher Akademischer Austausch Dienst (DAAD) Grant |
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Education |
MFA, School of Visual Arts, New York, NY, USA |
Akademie der Bildenden Künste München, Munich, Germany |
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