| b. 1960 Kaiserslautern, Germany. Lives and works in New York. | |
| Solo Exhibitions (* indicates exhibition catalogue) | |
| 2022 | Fragments of Time Past, Gagosian, Athens, Greece. (forthcoming) |
| 2021 | Museum in the Camera, LACMA, Los Angeles, CA. * |
| 2018 | Baldwin Gallery, Aspen, CO. |
| Turning Time, Gagosian, London, UK. | |
| 2017 | Painting on Paper: Vera Lutter’s Old Master Photographs, LACMA Booth at TEFAF, Park Avenue Armory, New York, NY. |
| 2016 | Paestum, Alfonso Artiaco, Naples, Italy. |
| Xippas Art Contemporain, Geneva, Switzerland. | |
| Inverted Worlds, New Orleans Museum of Art, New Orleans, LA. | |
| 2015/16 | Inverted Worlds, The Museum of Fine Art Houston, TX. |
| 2015 | Gagosian, New York, NY. |
| 2014 | Venice, Weinstein Gallery, Minneapolis, MN. |
| Galerie Max Hetzler, Berlin, Germany. | |
| Clock Tower, Baldwin Gallery, Aspen, CO. |
|
| 2013 |
Folding Four in One, Galerie Xippas, Paris, France.
|
| 2012 | Carré d’Art – Musée d’art contemporain, Nîmes, France. * |
| 2011 | Alfonso Artiaco, Naples, Italy. |
| Studies for Ground Zero, Museum of Contemporary Art Chicago, Chicago, IL. |
|
| Galerie Max Hetzler, Eifel, Germany. | |
| Egypt, Gagosian, London, UK. * | |
| a ghost still is like a place, Baldwin Gallery, Aspen, CO. * | |
| 2009 | Galerie Xippas, Paris, France. |
| Gagosian, Beverly Hills, CA. | |
| Samar Hussein, Carolina Nitsch Project Room, New York, NY. | |
| 2008 | Galerie Max Hetzler, Berlin, Germany. |
| Baldwin Gallery, Aspen, CO. | |
| 2007 | Galleria Nicolo Cardi, Milan, Italy. |
| Gagosian, New York, NY. * | |
| 2005/06 | Galerie Xippas, Athens, Greece. |
| Focus: Vera Lutter, Modern Art Museum of Fort Worth, Fort Worth, TX. | |
| Nabisco Factory, Beacon, Dia:Beacon, Beacon, NY. | |
| 2004 | Battersea, Gagosian, London, UK. * |
| Galerie Max Hetzler, Berlin-Mitte, Germany. | |
| Inside In, Kunsthaus Graz, Graz, Austria. * | |
| 2003 | Gagosian, New York, NY. |
| 2002 | Chicago Obscura, Museum of Contemporary Photography, Chicago, IL. |
| Galerie Max Hetzler, Berlin, Germany. | |
| 2001 | Kunsthalle Basel, Basel, Switzerland. (with Hanspeter Hofmann) * |
| 2000 | Vera Lutter, Fraenkel Gallery, San Francisco, CA. |
| Barbara Flynn Gallery, Sydney, Australia. | |
| 1999/2000 | Time Traced (with Rodney Graham), Dia Center for the Arts, New York, NY. |
| 1999 | Roth Horowitz, New York, NY. * |
| 1998 | Wooster Gardens, New York, NY. |
| 1996 | On New York, Wooster Gardens, New York, NY. |
| 1995 | Sight and Sense, Hypo Bank, New York, NY. * |
| Group Exhibitions | |
| 2022/23 | Civilization: The Way We Live Now, Musei San Domenico – Fondazione Cassa dei Risparmi di Forlì, Forlì, Italy. |
| 2021/22 | Photographing the Fantastic, NSU Art Museum, Fort Lauderdale, FL. |
| 2021 | Photography! – Meisterwerke aus dem SCHAUWERK Sindelfingen, Saarlandmuseum – Moderne Galerie, Saarbrücken, Germany. |
| Womanology. José Ramón Prieto Collection, Museo de Bellas Artes de Bilbao, Bilbao, Spain. * |
|
| TRANSFORMATION, Blowing Rock Art & History Museum, Blowing Rock, NC. |
|
| Geneva Decade, Xippas Art Contemporain, Geneva, Switzerland. |
|
| Civilization – Quelle époque !, Musée des Civilisations de l’Europe et de la Méditerranée, Marseille, France. |
|
| 30 ans déjà! #1, Galerie Xippas, Paris, France. | |
| 2020 | Civilisation, Photography, Now, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand. |
| 30 Years of Women, Jackson Fine Art, Atlanta, GA. |
|
| 2019/20 | Looking Back: Ten Years of Pier 24 Photography, Pier 24, San Francisco, CA. * |
| 2019 | Spaces and Places: Works from the Collection, Modern Art Museum of Fort Worth, Fort Worth, TX. |
| dialogues #1 Baronian Xippas Brussels, Galerie Xippas, Paris, France. |
|
| Günther Förg, Ed Ruscha, Olafur Eliasson, Vera Lutter, Jeff Wall and Darren Almond, Carolina Nitsch, New York, NY. | |
| NOMEN: American Women Artists from 1945 to Today, Phillips, New York, NY. | |
| Civilization: The Collective Life, Ullens Center for Contemporary Art, Beijing, China. | |
| Paysages. Regards croisés, Salle d’expo du Cyel à La Roche-sur-Yon, La Roche-sur-Yon, France. |
|
| 2018/19 | Civilization: The Collective Life, National Museum of Modern and Contemporary Art, Seoul, Korea. * |
| 2018 | By The Sea, The Marquee Projects, Bellport, NY. |
| This Must be the Place, JPMorgan Chase Art Collection at Paris Photo 2018, Paris, France. | |
| Vision of the Other Worlds, Sargent’s Daughters, New York, NY. | |
| Sun Pictures Then and Now: Talbot and his Legacy Today, Photo London, London & Hans P. Kraus Jr., London, UK. | |
| Poussières d’étoiles, group show, La Laiterie, Massignac, France. * | |
| About Photography, Gagosian, San Francisco, CA. | |
| Photographs Take Time: Pictures from the Chrysler Collection, Chrysler Museum of Art, Norfolk, VA. |
|
| Facing the Camera, Hans Kraus Jr. Fine Photographs, New York, NY. | |
| 2017/18 | Up into the Unknown: Peter Cook, Colin Fournier and the Kunsthaus, Kunsthaus Graz, Graz, Austria. |
| 2017 | Masterpiece Art Society 2017, Chrysler Museum of Art, Norfolk, VA. |
| re:collection, Museum of Contemporary Photography, Chicago, IL. |
|
| The Mechanics of Expression: Vera Lutter, Sameer Makarius & Otto Steinert, Howard Greenberg Gallery, New York, NY. | |
| Día de Fiesta, Xippas Arte contemporaneo, Montevideo, Uruguay. |
|
| Summer 2017, Weinstein Gallery, Minneapolis, MN. |
|
| 2016/17 | Belief + Doubt: Selections from The Francie Bishop Good and David Horvitz Collection, NSU Art Museum, Fort Lauderdale, FL.* |
| Lunar Attraction, Peabody Essex Museum, Salem, MA. | |
| Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker, National Gallery of Art, Washington, DC. * | |
| 30°, Alfonso Artiaco, Naples, Italy. | |
| 20 Years, Weinstein Gallery, Minneapolis, MN. |
|
| 2016 | A New and Mysterious Art: Ancient Photographic Methods in Contemporary Art, Howard Greenberg Gallery, New York, NY. |
| Deconstruction Photographique, Topographie de L’Art, Paris, France. * | |
| The Memory of the Future: Photographic Dialogues Between Past, Present, and Future, Musée de l’Elysée-Les Éditions Noir sur Blanc, Lausanne, Switzerland. * | |
| Random X, Xippas Arte contemporaneo, Punta del Este, Uruguay. |
|
| This is a Photograph, Penland Gallery, Penland, NC. | |
| The Imaginary Collector, Xippas Art Contemporain, Geneva, Switzerland. |
|
| Summer 2016, Weinstein Gallery, Minneapolis, MN. |
|
| Trip, Xippas Arte contemporaneo, Montevideo, Uruguay. |
|
| Winter 2016, Weinstein Gallery, Minneapolis, MN. |
|
| 2015/16 | Altered Appearances, Fisher Landau Center for Art, Long Island City, NY. |
| Venice: Five Centuries of the World’s Most Alluring City, Nagoya/Boston Museum of Fine Arts, Nagoya, Japan. |
|
| 2015 | Industria, oggi: Contemporary Photographs from the MAST Collection, Fondazione MAST, Bologna, Italy. |
| Framing Desire: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX. | |
| The Memory of Time: Contemporary Photographs from the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art, Washington, DC. | |
| More Than One: Print Publications from The Print Center, City Hall, Philadelphia, PA. |
|
| Bright Cities, Loom Gallery, Milan, Italy. |
|
| Summer 2015, Weinstein Gallery, Minneapolis, MN. |
|
| 2014 | SPOT ON, Museum Kunstpalast, Düsseldorf, Germany. |
| Convergences: Selected Photographs from the Permanent Collection, Getty Center, Los Angeles, CA. | |
| Now You See It: Photography and Concealment, The Metropolitan Museum of Fine Art, New York, NY. | |
| 2013 | Decisive Moments: Photographs from the Collection of Cherye R. and James F. Pierce, Honolulu Museum of Art, Honolulu, HI. |
| REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany. * | |
| Flowers & Mushrooms, Museum der Moderne, Mönchsberg, Salzburg, Austria. * | |
| Legacy: Photographs from the Emily Fisher Landau Collection, The Aldrich Contemporary Art Museum, Ridgefield, CT. | |
| The Distaff Side, The Granary, Sharon, CT. | |
| 0 to 60: The Experience of Time Through Contemporary Art, North Carolina Museum of Art, Raleigh, NC. * |
|
| Cosa Mentale, Paysage(s): Paysage-fiction et le Nouveau Pittoresque, Musée du vieux château de Laval, Laval, France. |
|
| The Time is Now, John Berggruen Gallery, San Francisco, CA. |
|
| Light Sensitive: Photographic Works from North Carolina Collections, Nasher Museum of Art at Duke University, Durham, NC. | |
| Big Pictures, Amon Carter Museum of American Art, Fort Worth, TX. | |
| Summer 2013, Weinstein Gallery, Minneapolis, MN. |
|
| 2012/13 | Fruits of Passion: Société des Amis du Mnam – Dix ans du Projet pour l’Art Contemporain, Centre Pompidou, Paris, France.* |
| 2012 | Recent Acquisitions, Part I: Contemporary Photographs, Harvard Art Museums, Cambridge, MA. |
| Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Chicago, IL. * | |
| Conversations: Photography from the Bank of America Collection, Irish Museum of Art, Dublin, Ireland. |
|
| Cosa Mentale, Paysage(s): Paysage-fiction et le Nouveau Pittoresque, Musée de La Roche-sur-Yon, La Roche-sur-Yon, France. * |
|
| Myths and Realities, School of Visual Arts, New York, NY. * | |
| Summer 2012, Weinstein Gallery, Minneapolis, MN. |
|
| 2011/12 | Look, Xippas Art Contemporain, Geneva, Switzerland. |
| Moderne: Selbstmord der Kunst?, Neue Galerie Graz, Joanneumsviertel, Graz, Austria |
|
| 2011 | Prix Pictet Presentation, Les Rencontres d’Arles, France. |
| Art Unlimited, Basel, Switzerland. * | |
| Legacy: Photographs from the Emily Fisher Landau Collection, Whitney Museum of American Art, New York, NY. * | |
| Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria. * |
|
| L’objet photographique: une invention permanente, Maison européenne de la photographie, Paris, France. | |
| Public Works, Museum of Contemporary Photography, Chicago, IL. |
|
| Prix Pictet Exhibition, Passage de Retz, Paris, France. * | |
| Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston, MA. * | |
| Eye Wonder: Photography from the Bank of America Collection, National Museum of Women in the Arts, Washington, DC. | |
| PROCESS, Edwynn Houk Gallery, New York, NY. | |
| Sténopé: un procédé photographique, Artothèque de Vitré, Vitré, France. |
|
| New Prints 2011/Winter, International Print Center, New York, NY. | |
| Accrochage, Carolina Nitsch Project Room, New York, NY. | |
| Recent Acquisitions: Prints and Photographs, the Stokes Gallery at The New York Public Library, New York, NY. |
|
| 2010/11 | Still / Moving, The Israel Museum, Jerusalem, Israel. * |
| 2010 | Prix Pictet, Growth Shortlist Preview, Galerie Les Filles du Calvaire, Paris, France. |
| Imaginário da Paisagem – Obras da BESart / Colecção Banco Espírito Santo, Centro de Artes Visuais, Coimbra, Portugal. | |
| Vaxination, Galerie Xippas, Athens, Greece. | |
| Mixed-Use Manhattan: Photography and Related Practices 1970s to the Present, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. * |
|
| Entre glace et neige, Centro Saint Benin, Région Autonome Vallée d’Aoste, Courmayeur, Italy. * | |
| Crash, Gagosian Gallery, London, UK. * | |
| re.volver, Xippas Arte contemporaneo, Montevideo, Uruguay. |
|
| 2009/10 | Extended Family: Contemporary Connections, Brooklyn Museum, Brooklyn, NY. |
| elles@pompidou, Centre Pompidou, Paris, France. * | |
| 2009 | Contradictions in Black and White, Hasted Hunt Gallery, New York, NY. |
| 2008/09 | Venice: from Canaletto and Turner to Monet, Fondation Beyeler, Basel, Switzerland. * |
| 2008 | to:Night, Contemporary Representations of the Night, The Hunter College Galleries, Hunter College, New York, NY. * |
| Target Collection of American Photography: A Century in Pictures, Art Museum of South Texas, Corpus Christi, TX. |
|
| Photography and Architecture, Mitterand + Cramer, Geneva, Switzerland. | |
| 2007/08 | Welt-Bilder 2 / World Images 2, Helmhaus Zürich, Zürich, Switzerland. * |
| du machinique et du vivant: sur une proposition de Régis Durand, A La Reserve, Galerie Xippas, Pacy-sur-eure, France. * |
|
| The Neue Galerie Photographic Collection, Neue Galerie Graz, Joanneumsviertel, Graz, Austria. * | |
| 2007 | Taken with Time: a camera obscura project, The Atrium Gallery, Marion Center for Photographic Arts, Santa Fe, NM. |
| Façade, Architecture, Space, Cook Fine Art, New York, NY. | |
| The Big Picture, The North Carolina Museum of Art, Raleigh, NC. | |
| Target Collection of American Photography: A Century in Pictures, Austin Museum of Art, TX. |
|
| 2006/07 | Alchemy: Twelve Contemporary Artists Exploring the Essence of Photography, Purdy Hicks, London, UK. * |
| Modern Photographs: The Machine, the Body and the City, Gifts from the Charles Cowles Collection, Miami Art Museum, Miami, FL. * |
|
| Target Collection of American Photography: A Century in Pictures, Museum of Fine Arts, Houston, TX. | |
| 2006 | In Sight: Recent Additions to the Permanent Collection, Museum of Contemporary Photography, Chicago, IL. |
| Taken with Time: a camera obscura project, The Print Center, Philadelphia, PA. * | |
| Out of the Camera: Analoge Fotografie Im Digitalen Zeitalter, Bielefelder Kunstverein, Bielefeld, Germany. | |
| Kunst und Photographie—Photographie und Kunst, Galerie Bernd Klüser, Munich, Germany. | |
| À la (re)découverte des collections photographiques de Musée de La Roche-sur-Yon, Musée de La Roche-sur-Yon, La Roche-sur-Yon, France. | |
| Carbonic Anhydride, Galerie Max Hetzler, Berlin, Germany. * | |
| Black & White, Hellenic American Union, Athens, Greece. * | |
| 2005 | Strange Days, Samuel P. Harn Museum of Art, Gainesville, FL. |
| El Diablo non es tan malo como se pinta, Museo Nacional de Bellas Artes, Buenos Aires, Argentina. | |
| Roger Ballen, Alec Soth, Vera Lutter, Gagosian Gallery, New York, NY. | |
| Contemporary Obscurists, Alan Klotz Gallery, New York, NY. | |
| 2004 | 26a Bienal de São Paulo: Image Smugglers in a Free Territory, Pavilhão Ciccillo Matarazzo, São Paulo, Brazil. * |
| Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, NY. | |
| The Amazing & The Immutable, Contemporary Art Museum, University of South Florida, Tampa, FL. * | |
| 2003/04 | Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC. * |
| Wings of Art – Motiv Flugzeug, Ludwig Forum für Internationale Kunst, Aachen, Germany. |
|
| 2003 | Strange Days, Museum of Contemporary Art, Chicago, IL. |
| Landscapes of Man, Slusser Gallery, University of Michigan School of Art and Design, Ann Arbor, MI. | |
| Contemporary Photos from the Manfred Heiting Collection, Museum of Fine Arts Houston, Houston, TX. |
|
| The Eye and the Camera: A History of Photography, Sammlung Albertina, Vienna, Austria. | |
| Wings of Art – Motiv Flugzeug, Kunsthalle Darmstadt, Darmstadt, Germany. * |
|
| Same Time This Year, Gagosian Gallery, New York, NY. | |
| 2002/03 | Art on Paper 2002, Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC. |
| 2002 | Visions from America: Photographs from the Whitney Museum of American Art, 1940–2001, Whitney Museum of American Art, New York, NY. * |
| Life of the City, The Museum of Modern Art, New York, NY. |
|
| Exchange & Transform, Kunstverein München, Munich, Germany. | |
| 2002 Whitney Biennial, Whitney Museum of American Art, New York, NY. * | |
| Populated, International Artists Studio Program in Sweden, Stockholm, Sweden. | |
| 2001 | Enduring Love, Gasser and Grunert Gallery, New York, NY. |
| What’s New: Recent Acquisitions in Photography, Whitney Museum of American Art, New York, NY. | |
| 2000 | Collectors Choice, Exit Art, New York, NY. |
| New York Now 2000: Contemporary Work in Photography, Museum of the City of New York, New York, NY. | |
| Photography about Photography, Andrew Kreps Gallery, New York, NY. | |
| 1999 | The Big Picture: Large Format Photography, Middlebury College Museum of Art, Middlebury, VT. |
| Low Tech, The Light Factory, Charlotte, NC. | |
| Views from the Edge of the World, Marlborough Chelsea, New York, NY. | |
| 1998 | New York: A Divided City, International Center for Advanced Studies, New York University, New York, NY. |
| About Painting, Part III, Robert Miller Gallery, New York, NY. | |
| 1997 | Light, Bennington College, Bennington, VT. |
| CityScapes: A Survey of Urban Landscapes, Marlborough Gallery, New York, NY. * | |
| 1995 | NYC, Visual Arts Gallery, New York, NY. |
| Special Projects | |
| 2017–19 | Residency, Los Angeles County Museum of Art, Los Angeles, CA. |
| 2015 | Broadway Billboard: Degas Horses, public installation, Socrates Sculpture Park, Long Island, NY. |
| 2009/10 | Nowhere Near, 601Artspace, New York, NY. Curated by the artist. |
| 2008 | Ariadne Unhinged, Gotham Chamber Opera, New York, NY. Set design by the artist. Choreography by Karole Armitage. |
| 1997 | Unmarked Helicopter (with Marvin Heiferman and Carole Kismaric of LookOut), book project for The Art of the X-Files, ed. Chris Carter (New York: Harper Prism, 1998). |
| Awards | |
| 2002 | Pollock-Krasner Foundation Grant. |
| 2001 | John Simon Guggenheim Memorial Foundation Fellowship. |
| 1993 | Deutscher Akademischer Austausch Dienst (DAAD) Grant. |
| Artist-in-Residence, International Artists Studio Program in Sweden (IASPS). | |
| 1999 | Kulturstiftung der ZF Friedrichshafen Grant. |
| 1997 | International Center for Advanced Studies Grant, Project on Cities and Urban Knowledge, New York University. |
| 1993 | Deutscher Akademischer Austausch Dienst (DAAD) Grant. |
| Education | |
| MFA, School of Visual Arts, New York, NY, USA. | |
| Akademie der Bildenden Künste München, Munich, Germany. | |