b. 1960 Kaiserslautern, Germany. Lives and works in New York. | |
Solo Exhibitions (* indicates exhibition catalogue) | |
2022 | Fragments of Time Past, Gagosian, Athens, Greece. (forthcoming) |
2021 | Museum in the Camera, LACMA, Los Angeles, CA. * |
2018 | Baldwin Gallery, Aspen, CO. |
Turning Time, Gagosian, London, UK. | |
2017 | Painting on Paper: Vera Lutter’s Old Master Photographs, LACMA Booth at TEFAF, Park Avenue Armory, New York, NY. |
2016 | Paestum, Alfonso Artiaco, Naples, Italy. |
Xippas Art Contemporain, Geneva, Switzerland. | |
Inverted Worlds, New Orleans Museum of Art, New Orleans, LA. | |
2015/16 | Inverted Worlds, The Museum of Fine Art Houston, TX. |
2015 | Gagosian, New York, NY. |
2014 | Venice, Weinstein Gallery, Minneapolis, MN. |
Galerie Max Hetzler, Berlin, Germany. | |
Clock Tower, Baldwin Gallery, Aspen, CO. |
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2013 |
Folding Four in One, Galerie Xippas, Paris, France.
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2012 | Carré d’Art – Musée d’art contemporain, Nîmes, France. * |
2011 | Alfonso Artiaco, Naples, Italy. |
Studies for Ground Zero, Museum of Contemporary Art Chicago, Chicago, IL. |
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Galerie Max Hetzler, Eifel, Germany. | |
Egypt, Gagosian, London, UK. * | |
a ghost still is like a place, Baldwin Gallery, Aspen, CO. * | |
2009 | Galerie Xippas, Paris, France. |
Gagosian, Beverly Hills, CA. | |
Samar Hussein, Carolina Nitsch Project Room, New York, NY. | |
2008 | Galerie Max Hetzler, Berlin, Germany. |
Baldwin Gallery, Aspen, CO. | |
2007 | Galleria Nicolo Cardi, Milan, Italy. |
Gagosian, New York, NY. * | |
2005/06 | Galerie Xippas, Athens, Greece. |
Focus: Vera Lutter, Modern Art Museum of Fort Worth, Fort Worth, TX. | |
Nabisco Factory, Beacon, Dia:Beacon, Beacon, NY. | |
2004 | Battersea, Gagosian, London, UK. * |
Galerie Max Hetzler, Berlin-Mitte, Germany. | |
Inside In, Kunsthaus Graz, Graz, Austria. * | |
2003 | Gagosian, New York, NY. |
2002 | Chicago Obscura, Museum of Contemporary Photography, Chicago, IL. |
Galerie Max Hetzler, Berlin, Germany. | |
2001 | Kunsthalle Basel, Basel, Switzerland. (with Hanspeter Hofmann) * |
2000 | Vera Lutter, Fraenkel Gallery, San Francisco, CA. |
Barbara Flynn Gallery, Sydney, Australia. | |
1999/2000 | Time Traced (with Rodney Graham), Dia Center for the Arts, New York, NY. |
1999 | Roth Horowitz, New York, NY. * |
1998 | Wooster Gardens, New York, NY. |
1996 | On New York, Wooster Gardens, New York, NY. |
1995 | Sight and Sense, Hypo Bank, New York, NY. * |
Group Exhibitions | |
2022/23 | Civilization: The Way We Live Now, Musei San Domenico – Fondazione Cassa dei Risparmi di Forlì, Forlì, Italy. |
2021/22 | Photographing the Fantastic, NSU Art Museum, Fort Lauderdale, FL. |
2021 | Photography! – Meisterwerke aus dem SCHAUWERK Sindelfingen, Saarlandmuseum – Moderne Galerie, Saarbrücken, Germany. |
Womanology. José Ramón Prieto Collection, Museo de Bellas Artes de Bilbao, Bilbao, Spain. * |
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TRANSFORMATION, Blowing Rock Art & History Museum, Blowing Rock, NC. |
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Geneva Decade, Xippas Art Contemporain, Geneva, Switzerland. |
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Civilization – Quelle époque !, Musée des Civilisations de l’Europe et de la Méditerranée, Marseille, France. |
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30 ans déjà! #1, Galerie Xippas, Paris, France. | |
2020 | Civilisation, Photography, Now, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand. |
30 Years of Women, Jackson Fine Art, Atlanta, GA. |
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2019/20 | Looking Back: Ten Years of Pier 24 Photography, Pier 24, San Francisco, CA. * |
2019 | Spaces and Places: Works from the Collection, Modern Art Museum of Fort Worth, Fort Worth, TX. |
dialogues #1 Baronian Xippas Brussels, Galerie Xippas, Paris, France. |
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Günther Förg, Ed Ruscha, Olafur Eliasson, Vera Lutter, Jeff Wall and Darren Almond, Carolina Nitsch, New York, NY. | |
NOMEN: American Women Artists from 1945 to Today, Phillips, New York, NY. | |
Civilization: The Collective Life, Ullens Center for Contemporary Art, Beijing, China. | |
Paysages. Regards croisés, Salle d’expo du Cyel à La Roche-sur-Yon, La Roche-sur-Yon, France. |
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2018/19 | Civilization: The Collective Life, National Museum of Modern and Contemporary Art, Seoul, Korea. * |
2018 | By The Sea, The Marquee Projects, Bellport, NY. |
This Must be the Place, JPMorgan Chase Art Collection at Paris Photo 2018, Paris, France. | |
Vision of the Other Worlds, Sargent’s Daughters, New York, NY. | |
Sun Pictures Then and Now: Talbot and his Legacy Today, Photo London, London & Hans P. Kraus Jr., London, UK. | |
Poussières d’étoiles, group show, La Laiterie, Massignac, France. * | |
About Photography, Gagosian, San Francisco, CA. | |
Photographs Take Time: Pictures from the Chrysler Collection, Chrysler Museum of Art, Norfolk, VA. |
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Facing the Camera, Hans Kraus Jr. Fine Photographs, New York, NY. | |
2017/18 | Up into the Unknown: Peter Cook, Colin Fournier and the Kunsthaus, Kunsthaus Graz, Graz, Austria. |
2017 | Masterpiece Art Society 2017, Chrysler Museum of Art, Norfolk, VA. |
re:collection, Museum of Contemporary Photography, Chicago, IL. |
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The Mechanics of Expression: Vera Lutter, Sameer Makarius & Otto Steinert, Howard Greenberg Gallery, New York, NY. | |
Día de Fiesta, Xippas Arte contemporaneo, Montevideo, Uruguay. |
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Summer 2017, Weinstein Gallery, Minneapolis, MN. |
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2016/17 | Belief + Doubt: Selections from The Francie Bishop Good and David Horvitz Collection, NSU Art Museum, Fort Lauderdale, FL.* |
Lunar Attraction, Peabody Essex Museum, Salem, MA. | |
Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker, National Gallery of Art, Washington, DC. * | |
30°, Alfonso Artiaco, Naples, Italy. | |
20 Years, Weinstein Gallery, Minneapolis, MN. |
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2016 | A New and Mysterious Art: Ancient Photographic Methods in Contemporary Art, Howard Greenberg Gallery, New York, NY. |
Deconstruction Photographique, Topographie de L’Art, Paris, France. * | |
The Memory of the Future: Photographic Dialogues Between Past, Present, and Future, Musée de l’Elysée-Les Éditions Noir sur Blanc, Lausanne, Switzerland. * | |
Random X, Xippas Arte contemporaneo, Punta del Este, Uruguay. |
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This is a Photograph, Penland Gallery, Penland, NC. | |
The Imaginary Collector, Xippas Art Contemporain, Geneva, Switzerland. |
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Summer 2016, Weinstein Gallery, Minneapolis, MN. |
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Trip, Xippas Arte contemporaneo, Montevideo, Uruguay. |
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Winter 2016, Weinstein Gallery, Minneapolis, MN. |
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2015/16 | Altered Appearances, Fisher Landau Center for Art, Long Island City, NY. |
Venice: Five Centuries of the World’s Most Alluring City, Nagoya/Boston Museum of Fine Arts, Nagoya, Japan. |
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2015 | Industria, oggi: Contemporary Photographs from the MAST Collection, Fondazione MAST, Bologna, Italy. |
Framing Desire: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX. | |
The Memory of Time: Contemporary Photographs from the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art, Washington, DC. | |
More Than One: Print Publications from The Print Center, City Hall, Philadelphia, PA. |
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Bright Cities, Loom Gallery, Milan, Italy. |
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Summer 2015, Weinstein Gallery, Minneapolis, MN. |
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2014 | SPOT ON, Museum Kunstpalast, Düsseldorf, Germany. |
Convergences: Selected Photographs from the Permanent Collection, Getty Center, Los Angeles, CA. | |
Now You See It: Photography and Concealment, The Metropolitan Museum of Fine Art, New York, NY. | |
2013 | Decisive Moments: Photographs from the Collection of Cherye R. and James F. Pierce, Honolulu Museum of Art, Honolulu, HI. |
REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany. * | |
Flowers & Mushrooms, Museum der Moderne, Mönchsberg, Salzburg, Austria. * | |
Legacy: Photographs from the Emily Fisher Landau Collection, The Aldrich Contemporary Art Museum, Ridgefield, CT. | |
The Distaff Side, The Granary, Sharon, CT. | |
0 to 60: The Experience of Time Through Contemporary Art, North Carolina Museum of Art, Raleigh, NC. * |
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Cosa Mentale, Paysage(s): Paysage-fiction et le Nouveau Pittoresque, Musée du vieux château de Laval, Laval, France. |
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The Time is Now, John Berggruen Gallery, San Francisco, CA. |
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Light Sensitive: Photographic Works from North Carolina Collections, Nasher Museum of Art at Duke University, Durham, NC. | |
Big Pictures, Amon Carter Museum of American Art, Fort Worth, TX. | |
Summer 2013, Weinstein Gallery, Minneapolis, MN. |
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2012/13 | Fruits of Passion: Société des Amis du Mnam – Dix ans du Projet pour l’Art Contemporain, Centre Pompidou, Paris, France.* |
2012 | Recent Acquisitions, Part I: Contemporary Photographs, Harvard Art Museums, Cambridge, MA. |
Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Chicago, IL. * | |
Conversations: Photography from the Bank of America Collection, Irish Museum of Art, Dublin, Ireland. |
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Cosa Mentale, Paysage(s): Paysage-fiction et le Nouveau Pittoresque, Musée de La Roche-sur-Yon, La Roche-sur-Yon, France. * |
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Myths and Realities, School of Visual Arts, New York, NY. * | |
Summer 2012, Weinstein Gallery, Minneapolis, MN. |
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2011/12 | Look, Xippas Art Contemporain, Geneva, Switzerland. |
Moderne: Selbstmord der Kunst?, Neue Galerie Graz, Joanneumsviertel, Graz, Austria |
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2011 | Prix Pictet Presentation, Les Rencontres d’Arles, France. |
Art Unlimited, Basel, Switzerland. * | |
Legacy: Photographs from the Emily Fisher Landau Collection, Whitney Museum of American Art, New York, NY. * | |
Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria. * |
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L’objet photographique: une invention permanente, Maison européenne de la photographie, Paris, France. | |
Public Works, Museum of Contemporary Photography, Chicago, IL. |
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Prix Pictet Exhibition, Passage de Retz, Paris, France. * | |
Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston, MA. * | |
Eye Wonder: Photography from the Bank of America Collection, National Museum of Women in the Arts, Washington, DC. | |
PROCESS, Edwynn Houk Gallery, New York, NY. | |
Sténopé: un procédé photographique, Artothèque de Vitré, Vitré, France. |
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New Prints 2011/Winter, International Print Center, New York, NY. | |
Accrochage, Carolina Nitsch Project Room, New York, NY. | |
Recent Acquisitions: Prints and Photographs, the Stokes Gallery at The New York Public Library, New York, NY. |
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2010/11 | Still / Moving, The Israel Museum, Jerusalem, Israel. * |
2010 | Prix Pictet, Growth Shortlist Preview, Galerie Les Filles du Calvaire, Paris, France. |
Imaginário da Paisagem – Obras da BESart / Colecção Banco Espírito Santo, Centro de Artes Visuais, Coimbra, Portugal. | |
Vaxination, Galerie Xippas, Athens, Greece. | |
Mixed-Use Manhattan: Photography and Related Practices 1970s to the Present, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. * |
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Entre glace et neige, Centro Saint Benin, Région Autonome Vallée d’Aoste, Courmayeur, Italy. * | |
Crash, Gagosian Gallery, London, UK. * | |
re.volver, Xippas Arte contemporaneo, Montevideo, Uruguay. |
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2009/10 | Extended Family: Contemporary Connections, Brooklyn Museum, Brooklyn, NY. |
elles@pompidou, Centre Pompidou, Paris, France. * | |
2009 | Contradictions in Black and White, Hasted Hunt Gallery, New York, NY. |
2008/09 | Venice: from Canaletto and Turner to Monet, Fondation Beyeler, Basel, Switzerland. * |
2008 | to:Night, Contemporary Representations of the Night, The Hunter College Galleries, Hunter College, New York, NY. * |
Target Collection of American Photography: A Century in Pictures, Art Museum of South Texas, Corpus Christi, TX. |
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Photography and Architecture, Mitterand + Cramer, Geneva, Switzerland. | |
2007/08 | Welt-Bilder 2 / World Images 2, Helmhaus Zürich, Zürich, Switzerland. * |
du machinique et du vivant: sur une proposition de Régis Durand, A La Reserve, Galerie Xippas, Pacy-sur-eure, France. * |
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The Neue Galerie Photographic Collection, Neue Galerie Graz, Joanneumsviertel, Graz, Austria. * | |
2007 | Taken with Time: a camera obscura project, The Atrium Gallery, Marion Center for Photographic Arts, Santa Fe, NM. |
Façade, Architecture, Space, Cook Fine Art, New York, NY. | |
The Big Picture, The North Carolina Museum of Art, Raleigh, NC. | |
Target Collection of American Photography: A Century in Pictures, Austin Museum of Art, TX. |
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2006/07 | Alchemy: Twelve Contemporary Artists Exploring the Essence of Photography, Purdy Hicks, London, UK. * |
Modern Photographs: The Machine, the Body and the City, Gifts from the Charles Cowles Collection, Miami Art Museum, Miami, FL. * |
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Target Collection of American Photography: A Century in Pictures, Museum of Fine Arts, Houston, TX. | |
2006 | In Sight: Recent Additions to the Permanent Collection, Museum of Contemporary Photography, Chicago, IL. |
Taken with Time: a camera obscura project, The Print Center, Philadelphia, PA. * | |
Out of the Camera: Analoge Fotografie Im Digitalen Zeitalter, Bielefelder Kunstverein, Bielefeld, Germany. | |
Kunst und Photographie—Photographie und Kunst, Galerie Bernd Klüser, Munich, Germany. | |
À la (re)découverte des collections photographiques de Musée de La Roche-sur-Yon, Musée de La Roche-sur-Yon, La Roche-sur-Yon, France. | |
Carbonic Anhydride, Galerie Max Hetzler, Berlin, Germany. * | |
Black & White, Hellenic American Union, Athens, Greece. * | |
2005 | Strange Days, Samuel P. Harn Museum of Art, Gainesville, FL. |
El Diablo non es tan malo como se pinta, Museo Nacional de Bellas Artes, Buenos Aires, Argentina. | |
Roger Ballen, Alec Soth, Vera Lutter, Gagosian Gallery, New York, NY. | |
Contemporary Obscurists, Alan Klotz Gallery, New York, NY. | |
2004 | 26a Bienal de São Paulo: Image Smugglers in a Free Territory, Pavilhão Ciccillo Matarazzo, São Paulo, Brazil. * |
Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, NY. | |
The Amazing & The Immutable, Contemporary Art Museum, University of South Florida, Tampa, FL. * | |
2003/04 | Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC. * |
Wings of Art – Motiv Flugzeug, Ludwig Forum für Internationale Kunst, Aachen, Germany. |
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2003 | Strange Days, Museum of Contemporary Art, Chicago, IL. |
Landscapes of Man, Slusser Gallery, University of Michigan School of Art and Design, Ann Arbor, MI. | |
Contemporary Photos from the Manfred Heiting Collection, Museum of Fine Arts Houston, Houston, TX. |
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The Eye and the Camera: A History of Photography, Sammlung Albertina, Vienna, Austria. | |
Wings of Art – Motiv Flugzeug, Kunsthalle Darmstadt, Darmstadt, Germany. * |
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Same Time This Year, Gagosian Gallery, New York, NY. | |
2002/03 | Art on Paper 2002, Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC. |
2002 | Visions from America: Photographs from the Whitney Museum of American Art, 1940–2001, Whitney Museum of American Art, New York, NY. * |
Life of the City, The Museum of Modern Art, New York, NY. |
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Exchange & Transform, Kunstverein München, Munich, Germany. | |
2002 Whitney Biennial, Whitney Museum of American Art, New York, NY. * | |
Populated, International Artists Studio Program in Sweden, Stockholm, Sweden. | |
2001 | Enduring Love, Gasser and Grunert Gallery, New York, NY. |
What’s New: Recent Acquisitions in Photography, Whitney Museum of American Art, New York, NY. | |
2000 | Collectors Choice, Exit Art, New York, NY. |
New York Now 2000: Contemporary Work in Photography, Museum of the City of New York, New York, NY. | |
Photography about Photography, Andrew Kreps Gallery, New York, NY. | |
1999 | The Big Picture: Large Format Photography, Middlebury College Museum of Art, Middlebury, VT. |
Low Tech, The Light Factory, Charlotte, NC. | |
Views from the Edge of the World, Marlborough Chelsea, New York, NY. | |
1998 | New York: A Divided City, International Center for Advanced Studies, New York University, New York, NY. |
About Painting, Part III, Robert Miller Gallery, New York, NY. | |
1997 | Light, Bennington College, Bennington, VT. |
CityScapes: A Survey of Urban Landscapes, Marlborough Gallery, New York, NY. * | |
1995 | NYC, Visual Arts Gallery, New York, NY. |
Special Projects | |
2017–19 | Residency, Los Angeles County Museum of Art, Los Angeles, CA. |
2015 | Broadway Billboard: Degas Horses, public installation, Socrates Sculpture Park, Long Island, NY. |
2009/10 | Nowhere Near, 601Artspace, New York, NY. Curated by the artist. |
2008 | Ariadne Unhinged, Gotham Chamber Opera, New York, NY. Set design by the artist. Choreography by Karole Armitage. |
1997 | Unmarked Helicopter (with Marvin Heiferman and Carole Kismaric of LookOut), book project for The Art of the X-Files, ed. Chris Carter (New York: Harper Prism, 1998). |
Awards | |
2002 | Pollock-Krasner Foundation Grant. |
2001 | John Simon Guggenheim Memorial Foundation Fellowship. |
1993 | Deutscher Akademischer Austausch Dienst (DAAD) Grant. |
Artist-in-Residence, International Artists Studio Program in Sweden (IASPS). | |
1999 | Kulturstiftung der ZF Friedrichshafen Grant. |
1997 | International Center for Advanced Studies Grant, Project on Cities and Urban Knowledge, New York University. |
1993 | Deutscher Akademischer Austausch Dienst (DAAD) Grant. |
Education | |
MFA, School of Visual Arts, New York, NY, USA. | |
Akademie der Bildenden Künste München, Munich, Germany. | |